Finally another blog post I hear you cry, I know it’s very
long overdue again but I have been very busy making some of my designs to show
in another local shop. The Living rooms is a fair-trade sustainably sourced
furniture shop that stock a large range of furniture from outdoor to dining
ranges, and they approached me to see if I was interested in showing my designs
in their vast shop, I jumped at this chance and so if your ever in Norfolk you
need to pop down and have a look, my work will also be featured on their
website too. So it’s really good news for me, meaning my work is being showed
in more shops now and not just online, so things a are looking up in terms of
getting my designs out there.
Now back to the point of this post, to detail the design of
my most recent design I did for a client in Yorkshire, a writing desk. The client
approached me after seeing my designs for the ‘cant’ side table and console
table and asked if I could come up with a similar design for a desk. Obviously I
jumped at the chance as it was my first commission and I really needed to start
making bigger items of furniture too. So
i sat down with them and sketched out a few ideas and found out exactly what they
wanted from the desk. This took a few hours as I had to factor in the restraints
of space I was working with and what they were hoping for, so a big compromise
all round. Once they were happy with the initial idea I made a quick mock up to
make sure I had the ergonomics spot on and the overall form was to their
liking. Unfortunately I don’t have any photos of the mock up but it was very
basic and proved a point. Thus making the next stage much easier in working out
the final dimensions and how the design was going to work.
As the ‘cant’ design series relied on the cantilever principle
I could not adopt this technique to the desk, because it would require an
extremely heavy and robust frame to support the cantilever and the frame work
its self would have to be very thick to take the weight that the desk would
have to support, so I came up with an aesthetic idea of the having the desk top resting on the
framework but still fixed inside the frame at one end like the side table and
console table this desk takes it inspiration from. So then ensued a lot of CAD
work to figure out how to make this resting idea work and work out the final
details.
The client chose the
wood (sapele) which pleased me as it’s a wood I like to work with and have a
lot of experience with so was confident in working with it to produce a bigger design
to what I am used too. And the client
was also happy to use 10mm thick acrylic as the desk top (the same combination
used on the console table) which not only suited the overall look (an abstract
minimal form) but would add a significant amount of structural support to the
overall design. As the frame work I was
proposing was unproven and I needed to make sure the design was rigid enough to
be used every day and support a fair amount of weight (books, laptop, printer)
etc. So more CAD work was needed to assess the need for a central support which
would run along the bottom, this not only unhindered the overall look but provided
vital rigidity.
Once all the design and CAD work had been done it was time
to start making. I acquired the sapele wood from my local wood yard and ordered
the black acrylic from a local company. As this was the biggest project I had
done I felt a bit daunted by the overall project in hand but I learnt so much
from the whole process. Making the framework was quite simple and just needed
an extra pair of hands when it came to gluing. The difficult part came when I had
to marry the acrylic to the frame work. It required some tricky routing and
drilling and because the wood is such a strong contrasting material against the
acrylic I had to design in some features to allow the frame to move and shrink.
But after a lot of head scratching and huffing and puffing the basic desk was
complete and all that was left was to conceal the fixing bolts (by veneering the
top brace at the back where the acrylic sits inside) and then finish the bare
wood with Danish oil. This beautifully darkened the sapele to add depth and
worked amazingly with the gloss black acrylic.
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